Philip Morris Art Award 1998 Final Selection
30 June - 10 July 1998
Tokyo International Forum, Tokyo, Japan
PB1197, 1997, plexiglas, fluorescent light, 130×40×40 cm
5th Hiroshima Art Competition
14 February - 5 April 1998
Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
PB1197, 1997, plexiglas, fluorescent light, 300×24×20 cm
Exhibition view, Hiroshima City Museum of Contemporary Art, Hiroshima, 1997
Parco Art Projects 1996 Urbanart #5
13 November - 5 December 1996
Shibuya Parco Part 3, Tokyo, Japan
PB0996, 1996, plexiglas, fluorescent light, 60×90×10 cm
鏡映と透明性
透明なプレキシガラスと蛍光灯によるユニットの構成。
ミラーリングしたピンクとブルーの光は、たがいに繰り返し反射しあい、閉じた部屋を彷彿とさせる。
その閉じられた部屋は、わたしたち自身の内部を照らしだす。
透明性は、わたしたちの目に見えない皮膚、および内部と外部との境界を隠喩する。
Mirroring and Transparency
These two works are multiples composed of box units made from transparent plexiglass and fluorescent lamps.
The mirrored pink and blue lights reflect endlessly upon each other, evoking the atmosphere of enclosed rooms.
These rooms, in turn, seem to illuminate our inner selves.
The mirrored pink and blue lights reflect endlessly upon each other, evoking the atmosphere of enclosed rooms.
These rooms, in turn, seem to illuminate our inner selves.
Transparency reveals an invisible skin—the boundary between inside and outside.
This idea becomes a metaphor for modern life, reflecting on the qualities of physicality, corporality, and skin.
This idea becomes a metaphor for modern life, reflecting on the qualities of physicality, corporality, and skin.
Solo Show
1999
Gallery Sowaka, Kyoto, Japan
PB1199, 1999, plexiglas, fluorescent light, dimension variable
Gallery view, Gallery Sowaka, Kyoto, 1999
Group Show
1997
O Art Museum, Tokyo, Japan
PB0497, 1997, plexiglas, fluorescent light, 500×33×60 cm
Exhibition view, O Art Museum, Tokyo, 1997
Untitled, 2000, inkjet print, undifined
Untitled, 2000, inkjet print, undifined
Untitled, 2000, inkjet print, undifined
Untitled, 2000, inkjet print, undifined
