Masking tape (actually it is made from washi paper) that I often use as a material is a symbol of temporariness. 
The moment that this impermanence manifests is essential. 
I am not concerned with things being static, like long-lasting materials or motionless forms. 
I feel that the moment these things are set aside right before things break is the most beautiful. 
The glimmer of this single moment is easily destroyed and lost in the end.

Untitled (Spectra B&W) #6, 2015, polaroid film on paper, 73x55 cm, Bed Plates (Hi!) #1, 2015, glass, masking tape, 98x33 cm

Bed Plates (Hi!) #1, 2015, glass, masking tape, 98x33 cm

Photo ©︎ Takasu Yamamoto

Bed Plates (Hi!) #1, 2015 (detail)

Untitled (Hi!) #P1, 2015, photopolymer gravure on paper, 32.6x27.4cm (image size)

Bed Plates (Black Tape and Red Hood) #2, 2015, glass, masking tape, wool,  97x33 cm

Photo ©︎ Takasu Yamamoto

Bed Plates (Black Tape and Red Hood) #2, 2015 (detail)

Untitled (Spectra B&W) #2, 2015, polaroid film on paper, 89x69.5 cm (paper size), 10.2x10.3 cm (polaroid film size)

Untitled (Spectra B&W) #1, 2015, polaroid film on paper, 89x66.5 cm (paper size), 10.2x10.3 cm (polaroid film size)

Untitled (Spectra B&W) #4, 2015, polaroid film on paper, 89x69.5 cm (paper size), 10.2x10.3 cm (polaroid film size)

Untitled (Spectra B&W) #5, 2015, polaroid film on paper, 73x55 cm (paper size), 10.2x10.3 cm (polaroid film size)

Untitled (Spectra B&W) #3, 2015, polaroid film on paper, 89x69.5 cm (paper size), 10.2x10.3 cm (polaroid film size)

Untitled (Red Hood) #P6, 2016, photopolymer gravure on paper, 24x36.5cm (image size)

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