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Installation view, out side field of artist's studio, 2002
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Body Fact #1, 2002, inkjet-printed fabric, hanger, 160x50x10 cm (dimension variable)
Photo ©︎ Kazutaka Tamura
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Body Fact #3, 2002, inkjet-printed fabric, hanger, 61x51x8.5 cm each (dimension variable)
Photo ©︎ Kazutaka Tamura
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Body Fact #2, 2002, inkjet-printed fabric, hanger, 50x50x10 cm each (dimension variable)
Photo ©︎ Kazutaka Tamura
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Gallery view, CASO, Osaka, 20th August - 1st September, 2002
Photo ©︎ Kazutaka Tamura
This simple design comes from the Japanese Hinomaru lunch box containing only a pickled plum and rice.
The image of pickled plums is a metaphor for internal organs.
The concept is that food is a matter relevant to the body and corporality.
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Gallery view, CASO, Osaka, 20th August - 1st September, 2002
Photo ©︎ Kazutaka Tamura
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Food Diary March 30, 2002 #3, 2002, inkjet print, undefined size
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Food Diary March 30, 2002 #2, 2002, inkjet print, undefined size
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Food Diary May 29, 2002 #3, 2002, inkjet print, undefined size
It works as if the visual language conjures the visual images of food.
When we observe the manifestation of visualization, the representative images of food in modern life look like simulacra.
It means that a visualized image is the model for reality.
Food has become the symbol of a consumer society.
Moreover, food is an information-oriented subject.